A Foucault Pendulum
The Claim:
“A swinging pendulum—specifically a Foucault pendulum—provides direct, visual proof that the Earth is a rotating sphere. It demonstrates that the planet is turning beneath the pendulum, rather than the pendulum itself changing direction.” [1, 2, 3, 4, 5]
The claim that a swinging Foucault pendulum proves the Earth rotates is quite flawed, according to some science-minded individuals. In this physics article, the scientific conclusion is that a swinging Foucault pendulum doesn’t prove that the Earth is a spinning ball.
If the Earth were actually rotating beneath the pendulum, the Earth’s spin should cause a resting pendulum to start swinging, but it does not. Because a pendulum will stay perfectly still unless pushed by an outside force, the pendulum claim falls flat, no pun intended.
But wait… Science says: “No physicist claims that Earth’s rotation causes a pendulum to swing. The claim is that gravity initiates the swing. The claim is that Earth’s rotation causes the plane of an already-swinging pendulum to rotate (precess) relative to the ground slowly.“
There are strong and scientifically sound arguments that point out these pendulums, which, according to some, swing long enough to exhibit the behaviors described above, have electromagnetic motors that enable their swing, and that the magnetic field they generate creates the pendulum effect, not the Earth’s spin.
Museums and their props
There’s an interesting aspect of museums that is often overlooked, in my view; they’re a rigged playground set up to show people props designed to reinforce officialdom. That’s why plenty of them are free to enter.
I remember walking into one of the Smithsonian Museums in Washington, DC, and right outside, before you even entered, was a display showing what was alleged to be 300-million-year-old petrified logs.
Fossilized Tree Remains from Arizona
Photo Credit – Melissa Reizer– Smithsonian Museum of Natural History
That display is central to the idea that the dinosaurs inside existed in the timelines promoted, and the museum designers want people to buy into and embrace the false timelines and narratives promoted by our controllers.
It’s pure nonsense because a phenomenon called Rapid Petrification exists, whereby tremendous heat from lightning or cataclysmic events can petrify something in a matter of seconds, not millions of years.
Likewise, a Foucault pendulum is commonly placed in museums or by planetarium exhibits to reinforce the heliocentric lie that’s currently promoted by officialdom.
The powers that be print and publish nonsense all the time, and people gobble it up without thinking or researching any of the claims.
In my personal opinion, I don’t believe the Earth or realm is a flat disc sitting stationary in space with a dome over it. I believe our realm and existence here are products of a 3-D holographic simulation. I don’t believe our realm is perceived as round or any other geometric shape by our human sensory organs.
I do believe, from a human perspective, that our realm extends infinitely in all directions laterally, excluding moving upwards towards what we call the heavens or outer space. It is naturally perceived this way by human and animal avatars because the design of the Matrix construct has been written in computer code to be perceived that way.
The One-Hour Diner
Prologue
The police station was a well-lit building that stood out from most of the others. It had been designed and constructed over the last several years and featured a more modernist architectural style than the surrounding structures in the small Montana community.
They entered through the front entranceway and approached the reception area, announcing to the desk sergeant their intention to report information on a previously unsolved crime.
Renee Hudson sat beside Bryan Dawson on a hard, metallic chair. She hadn’t said much since they parked outside. Neither had he. They had been exhausted from everything that had transpired and were conserving their energy for what was to come.
The clock above the reception desk read 3:25 a.m.
Time had kept its promise; it was still moving right along.
Bryan, a handsome middle-aged man with a slender build and brown hair, exhaled slowly, his dark eyes drifting toward the glass partition separating them from the front desk. A tired-looking officer was rifling through some paperwork behind it, unaware of everything they had endured in the last hour.
Renee, an early-thirties brunette and easy on the eyes, shifted uneasily in her seat beside him.
“Once we start,” she whispered, “we don’t get to stop and change our minds.”
Bryan nodded. “I know that.”
She glanced at him, her expression serious. “I just want to say everything right.”
“There isn’t a right way,” he said gently. “There’s only the truth.”
Renee’s fingers flexed. “That’s what scares me.”
A door buzzed and opened somewhere down the hall. Footsteps approached them, and a plainclothes detective appeared in the hallway. He conferred with the desk sergeant briefly, muttered a few words to him, then glanced over at Bryan and Renee.
“Can I help you two?” he asked, his tone overly friendly.
Renee and Bryan stood up. “We need to report something important,” Bryan said. His voice sounded nervous and cautious. “It’s about a previously unsolved crime.”
The detective’s eyebrows raised slightly. “Okay,” he said. “Let’s step into an interview room.”
They followed the man down a narrow hallway, the walls lined with flyers for missing people.
The interview area was tiny, with a small table and four chairs. A small camera was mounted on a wall in the corner of the room.
The policeman gestured for them to sit, then closed the door. “I’m Detective Calloway,” he said, taking the seat across from them. “Take your time and start wherever you need to.”
Renee nodded.
Bryan glanced over at her, then nodded as well. “I’ll start,” he said.
He told the policeman everything that had happened as plainly as possible.
Detective Calloway didn’t interrupt. He took notes, his expression unreadable.
When Bryan finished, the silence was deafening.
Renee picked up the conversation without looking at Bryan and gave her accounts of everything.
After Renee finished, Detective Calloway set his pen down on the table. “Do you two understand the seriousness of what you’re telling me?”
“Yes,” Renee said.
“Yes,” Bryan added.
Calloway leaned back in his chair, studying them. “Why confess now?”
Bryan thought about the question for a few seconds before responding. “Because the guilt of keeping all this in over the past several years never left our sides,” he said.
Renee nodded. “We tried to bury it, but that didn’t work.”
Calloway exhaled through his nose. “There was a homicide connected to this case,” he said. “Your statements could reopen a lot of doors.”
“We know,” Bryan said.
Renee closed her eyes briefly. “We’re not asking for leniency.”
The detective watched them for a long moment, then stood up and walked over to where the camera was mounted on the wall. He reached up and turned on the device. A red light appeared on the front of the camera.
“Okay,” he said. “Then we’re going to do this the right way.”
Releasing July 4th, 2026
About the Book
Over sixty minutes in an isolated roadside diner in rural Montana, two strangers are forced to confront suppressed and traumatic memories, discovering that time, guilt, and truth are far more dangerous than the authorities awaiting them.
Click here to read the author interview!
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Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Truth Engines
Pre-order Available at Select Retailers
What if fiction reveals the truths modern society refuses to face?
Truth Engines is a bold collection of science fiction shorts that acknowledges the hidden realities currently affecting humanity. Blending imagination with clever storytelling, these writings explore a wide range of important subjects currently impacting all human beings.
Releasing September 1st, 2026
Science fiction has traditionally been a way for writers to discuss difficult ideas safely. It has allowed authors to examine dangerous possibilities before they become reality. Sometimes fiction entertains us, sometimes it warns us, and sometimes it says the necessary things that otherwise couldn’t be said.
These stories are not meant to preach or claim absolute answers. They are meant to encourage thought. They will hopefully inspire readers to ask questions about power, truth, freedom, artificial intelligence, corruption, media influence, medical ethics, surveillance, and the future direction of humanity itself.
Some readers may see these stories as pure fiction. Others may recognize pieces of the modern world hidden inside them. That choice belongs to you, the reader.
The goal of my writing is twofold: to entertain while also encouraging people to think more deeply about the systems shaping human life behind the scenes.
Whether these stories inspire agreement, debate, curiosity, or discomfort, I hope they stay with you long after the final page.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Beta Reviews
It’s an amazing read! The stories in Truth Engines were born and live in the spaces between the 88 black-and-white notes on a piano keyboard. If you’re a fan of The Twilight Zone, you’ll really love this book!
–A Beta Reader
Truth Engines is an incredible reading experience!
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Critical Reviews
“Rachel Alig is terrific as Donna while Justin Ray as Clyde also manages to impress. Combining witty commentary with a constant threat to life, script writers Palo and Reizer develop a narrative that is funny and charming while ensuring that none of the thrill and danger is lost in the process.”
– INDIE WRAP MAGAZINE
“Drama, thrills, comedy and so much more: Directors Andrew Arguello and MJ Palo’s Target List has all the fixings of a great movie. Combining a fantastic cast with the witty writing of MJ Palo and John Reizer, whichever way you flip this film, it lands on its feet with feline agility.”
– INDY REVIEWS
“The script by Palo with John Reizer, for the most part, rides that perfect balance between its more dramatic moments and perfectly placed moments of humor that never distract. While they’re probably not going to get invited to any big pharma conventions anytime soon, Reizer and Palo have a point, and they make it beautifully.”
“Target List is a great view for anyone who wants a compelling and suspenseful flick with a message that matters.”
– RICHARD PROPES – THE INDEPENDENT CRITIC
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GARETH ICKE – DIRECTOR OF THE DAVID ICKE WEBSITE“Target List had me on the edge of my seat throughout. Not the least because of its believability!“
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