Making incredibly toxic chemicals previously beyond the financial reach of many American healthcare consumers cheaper, will ultimately, in my opinion, make America sicker than it already is, and it’s pretty damn unhealthy and sick to begin with!
Our society is completely nuts and addicted to over-the-counter and prescription drugs that do nothing whatsoever when it comes to improving a person’s overall level of health.
Click on the image below to watch the video!
This is the problem that occurs when Big Pharma and Big Medicine are allowed to educate the public about what it means to be healthy.
Most people will read what I have written here and believe that I don’t know what I am writing about, that lowering the cost of prescription drugs is a pathway to a healthier America.
That in itself is evidence, in my view, how out of touch with reality people are when it comes to understanding what health and a loss of health are.
I can tell anyone who asks one vitally important truth; a loss of one’s health is not due to a decreased level of any over-the-counter or prescription drugs in their bodies, and taking drugs will never improve anyone’s expression of health.
Dr. Reizer
Disclaimer!
The health topics discussed in various articles on this platform are for informational purposes only and not intended as medical advice or to replace a professional relationship between a patient and a health care specialist.
Over sixty minutes in an isolated roadside diner in rural Montana, two strangers are forced to confront suppressed and traumatic memories, discovering that time, guilt, and truth are far more dangerous than the authorities awaiting them.
What if fiction reveals the truths modern society refuses to face?
Truth Engines is a bold collection of science fiction shorts that acknowledges the hidden realities currently affecting humanity. Blending imagination with fictional storytelling, these writings explore a wide range of important subjects currently impacting all human beings.
Hunted by an all-seeing surveillance network and powerful forces desperate to recover three mysterious data chips he is carrying, Dave Morrison, a bike courier, is forced into a Smart city’s hidden underground tunnel system in an attempt to stay alive.
Two people climbed to the very top of the Empire State Building on July 1st and unfurled a banner that read: “When the power of love beats the love of power the world knows peace”
It’s amazing what these two people did to get their message out there on the MSM. Of course, the MSM commentators on most networks spent the entire time reminding the audience that this was a dangerous stunt (no kidding) and against the law (remember to fear authority).
Look, I’m not encouraging people to do dangerous things or to risk their lives to make a point, or in this particular case, reach one, but this was a bold move and the message, the most important thing, was for the most part ignored by the MSM.
The One-Hour Diner
Prologue
The police station was a well-lit building that stood out from most of the others. It had been designed and constructed over the last several years and featured a more modernist architectural style than the surrounding structures in the small Montana community.
They entered through the front entranceway and approached the reception area, announcing to the desk sergeant their intention to report information on a previously unsolved crime.
Renee Hudson sat beside Bryan Dawson on a hard, metallic chair. She hadn’t said much since they parked outside. Neither had he. They had been exhausted from everything that had transpired and were conserving their energy for what was to come.
The clock above the reception desk read 3:25 a.m.
Time had kept its promise; it was still moving right along.
Bryan, a handsome middle-aged man with a slender build and brown hair, exhaled slowly, his dark eyes drifting toward the glass partition separating them from the front desk. A tired-looking officer was rifling through some paperwork behind it, unaware of everything they had endured in the last hour.
Renee, an early-thirties brunette and easy on the eyes, shifted uneasily in her seat beside him.
“Once we start,” she whispered, “we don’t get to stop and change our minds.”
Bryan nodded. “I know that.”
She glanced at him, her expression serious. “I just want to say everything right.”
“There isn’t a right way,” he said gently. “There’s only the truth.”
Renee’s fingers flexed. “That’s what scares me.”
A door buzzed and opened somewhere down the hall. Footsteps approached them, and a plainclothes detective appeared in the hallway. He conferred with the desk sergeant briefly, muttered a few words to him, then glanced over at Bryan and Renee.
“Can I help you two?” he asked, his tone overly friendly.
Renee and Bryan stood up. “We need to report something important,” Bryan said. His voice sounded nervous and cautious. “It’s about a previously unsolved crime.”
The detective’s eyebrows raised slightly. “Okay,” he said. “Let’s step into an interview room.”
They followed the man down a narrow hallway, the walls lined with flyers for missing people.
The interview area was tiny, with a small table and four chairs. A small camera was mounted on a wall in the corner of the room.
The policeman gestured for them to sit, then closed the door. “I’m Detective Calloway,” he said, taking the seat across from them. “Take your time and start wherever you need to.”
Renee nodded.
Bryan glanced over at her, then nodded as well. “I’ll start,” he said.
He told the policeman everything that had happened as plainly as possible.
Detective Calloway didn’t interrupt. He took notes, his expression unreadable.
When Bryan finished, the silence was deafening.
Renee picked up the conversation without looking at Bryan and gave her accounts of everything.
After Renee finished, Detective Calloway set his pen down on the table. “Do you two understand the seriousness of what you’re telling me?”
“Yes,” Renee said.
“Yes,” Bryan added.
Calloway leaned back in his chair, studying them. “Why confess now?”
Bryan thought about the question for a few seconds before responding. “Because the guilt of keeping all this in over the past several years never left our sides,” he said.
Renee nodded. “We tried to bury it, but that didn’t work.”
Calloway exhaled through his nose. “There was a homicide connected to this case,” he said. “Your statements could reopen a lot of doors.”
“We know,” Bryan said.
Renee closed her eyes briefly. “We’re not asking for leniency.”
The detective watched them for a long moment, then stood up and walked over to where the camera was mounted on the wall. He reached up and turned on the device. A red light appeared on the front of the camera.
“Okay,” he said. “Then we’re going to do this the right way.”
Over sixty minutes in an isolated roadside diner in rural Montana, two strangers are forced to confront suppressed and traumatic memories, discovering that time, guilt, and truth are far more dangerous than the authorities awaiting them.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Truth Engines
Pre-order Available at Select Retailers
What if fiction reveals the truths modern society refuses to face?
Truth Engines is a bold collection of science fiction shorts that acknowledges the hidden realities currently affecting humanity. Blending imagination with clever storytelling, these writings explore a wide range of important subjects currently impacting all human beings.
Science fiction has traditionally been a way for writers to discuss difficult ideas safely. It has allowed authors to examine dangerous possibilities before they become reality. Sometimes fiction entertains us, sometimes it warns us, and sometimes it says the necessary things that otherwise couldn’t be said.
These stories are not meant to preach or claim absolute answers. They are meant to encourage thought. They will hopefully inspire readers to ask questions about power, truth, freedom, artificial intelligence, corruption, media influence, medical ethics, surveillance, and the future direction of humanity itself.
Some readers may see these stories as pure fiction. Others may recognize pieces of the modern world hidden inside them. That choice belongs to you, the reader.
The goal of my writing is twofold: to entertain while also encouraging people to think more deeply about the systems shaping human life behind the scenes.
Whether these stories inspire agreement, debate, curiosity, or discomfort, I hope they stay with you long after the final page.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Beta Reviews
It’s an amazing read! The stories in Truth Engines were born and live in the spaces between the 88 black-and-white notes on a piano keyboard. If you’re a fan of The Twilight Zone,you’ll really love this book!
–A Beta Reader
Truth Engines is an incredible reading experience!
–A Beta Reader
The Big Pharma Conspiracy Movie
Inventing a cancer cure was their first mistake!
Critical Reviews
“Rachel Alig is terrific as Donna while Justin Ray as Clyde also manages to impress. Combining witty commentary with a constant threat to life, script writers Palo and Reizer develop a narrative that is funny and charming while ensuring that none of the thrill and danger is lost in the process.”
– INDIE WRAP MAGAZINE
“Drama, thrills, comedy and so much more: Directors Andrew Arguello and MJ Palo’s Target List has all the fixings of a great movie. Combining a fantastic cast with the witty writing of MJ Palo and John Reizer, whichever way you flip this film, it lands on its feet with feline agility.”
– INDY REVIEWS
“The script by Palo with John Reizer, for the most part, rides that perfect balance between its more dramatic moments and perfectly placed moments of humor that never distract. While they’re probably not going to get invited to any big pharma conventions anytime soon, Reizer and Palo have a point, and they make it beautifully.”
“Target List is a great view for anyone who wants a compelling and suspenseful flick with a message that matters.”
– RICHARD PROPES – THE INDEPENDENT CRITIC
Gareth Icke – Derby, England
“Target List had me on the edge of my seat throughout. Not the least because of its believability!“
Did you know that Huey Lewis successfully sued Ray Parker Jr. over the similarities between the two songs, “I Want a New Drug and the theme song to the movie “Ghostbusters?” It’s true!
Not too long ago, I was seated in a noisy restaurant, with music playing in another room. I couldn’t hear the melody from where I was, but I clearly felt the vibrations and sounds from the driving baseline.
I immediately identified what I thought was the song “I Want a New Drug” by Huey Lewis. Before the song ended, I walked to another part of the restaurant and could hear the melody, and, to my surprise, the tune that had been playing was the Ghostbusters theme by Ray Parker Jr.
I told my wife that those two songs sound very similar. My wife laughed and said that there was a famous copyright infringement lawsuit over the two compositions. I was shocked that I’d never heard of that case and decision.
Google Overview
“The similarities weren’t a coincidence. Movie producers originally approached Huey Lewis to write the theme song, but he turned it down. During early film screenings, producers used “I Want a New Drug” as temporary background music and ultimately directed Ray Parker Jr. to write something stylistically similar to the Huey Lewis track. [1, 2, 3, 4] Wikipedia
“Because the resulting “Ghostbusters” melody and rhythm mirrored their 1983 hit so closely, Huey Lewis sued Parker for plagiarism. The two parties eventually settled out of court in 1985 for an undisclosed sum and a strict confidentiality agreement.” [1, 2] Wikipedia
The Matrix Reloaded Yet Again” is a book by Chris Kelly, Melissa Reizer, and John Reizer that explores the idea that our understanding of history and reality has been manipulated. The book delves into concepts like alternative timelines, simulated reality, and the existence of advanced ancient civilizations, encouraging readers to question the accepted narrative of history.
Here’s a more detailed breakdown:
The book suggests that the timeline of modern civilization has been intentionally altered, with a massive cataclysm and population reset occurring centuries ago, destroying the “Old World” and concealing its existence.
The authors propose that Old-World architectural constructs and technologies were repurposed and presented as creations of the “New World.”
The book explores the possibility that we are living in a simulated reality, questioning the nature of truth and perception.
The book encourages readers to consider alternative explanations for historical events, including the existence of giants, dinosaurs, and the true purpose of war.
The book is aimed at readers interested in questioning the accepted version of history and exploring alternative perspectives on reality.
In essence, “The Matrix Reloaded Yet Again” is a thought-provoking exploration of unconventional ideas, encouraging readers to question the nature of reality and the historical narratives we’ve been taught.
The Matrix Reloaded Yet Again” is a book by Chris Kelly, Melissa Reizer, and John Reizer that explores the idea that our understanding of history and reality has been manipulated. The book delves into concepts like alternative timelines, simulated reality, and the existence of advanced ancient civilizations, encouraging readers to question the accepted narrative of history.
Here’s a more detailed breakdown:
The book suggests that the timeline of modern civilization has been intentionally altered, with a massive cataclysm and population reset occurring centuries ago, destroying the “Old World” and concealing its existence.
The authors propose that Old-World architectural constructs and technologies were repurposed and presented as creations of the “New World.”
The book explores the possibility that we are living in a simulated reality, questioning the nature of truth and perception.
The book encourages readers to consider alternative explanations for historical events, including the existence of giants, dinosaurs, and the true purpose of war.
The book is aimed at readers interested in questioning the accepted version of history and exploring alternative perspectives on reality.
In essence, “The Matrix Reloaded Yet Again” is a thought-provoking exploration of unconventional ideas, encouraging readers to question the nature of reality and the historical narratives we’ve been taught.
The police station was a well-lit building that stood out from most of the others. It had been designed and constructed over the last several years and featured a more modernist architectural style than the surrounding structures in the small Montana community.
They entered through the front entranceway and approached the reception area, announcing to the desk sergeant their intention to report information on a previously unsolved crime.
Renee Hudson sat beside Bryan Dawson on a hard, metallic chair. She hadn’t said much since they parked outside. Neither had he. They had been exhausted from everything that had transpired and were conserving their energy for what was to come.
The clock above the reception desk read 3:25 a.m.
Time had kept its promise; it was still moving right along.
Bryan, a handsome middle-aged man with a slender build and brown hair, exhaled slowly, his dark eyes drifting toward the glass partition separating them from the front desk. A tired-looking officer was rifling through some paperwork behind it, unaware of everything they had endured in the last hour.
Renee, an early-thirties brunette and easy on the eyes, shifted uneasily in her seat beside him.
“Once we start,” she whispered, “we don’t get to stop and change our minds.”
Bryan nodded. “I know that.”
She glanced at him, her expression serious. “I just want to say everything right.”
“There isn’t a right way,” he said gently. “There’s only the truth.”
Renee’s fingers flexed. “That’s what scares me.”
A door buzzed and opened somewhere down the hall. Footsteps approached them, and a plainclothes detective appeared in the hallway. He conferred with the desk sergeant briefly, muttered a few words to him, then glanced over at Bryan and Renee.
“Can I help you two?” he asked, his tone overly friendly.
Renee and Bryan stood up. “We need to report something important,” Bryan said. His voice sounded nervous and cautious. “It’s about a previously unsolved crime.”
The detective’s eyebrows raised slightly. “Okay,” he said. “Let’s step into an interview room.”
They followed the man down a narrow hallway, the walls lined with flyers for missing people.
The interview area was tiny, with a small table and four chairs. A small camera was mounted on a wall in the corner of the room.
The policeman gestured for them to sit, then closed the door. “I’m Detective Calloway,” he said, taking the seat across from them. “Take your time and start wherever you need to.”
Renee nodded.
Bryan glanced over at her, then nodded as well. “I’ll start,” he said.
He told the policeman everything that had happened as plainly as possible.
Detective Calloway didn’t interrupt. He took notes, his expression unreadable.
When Bryan finished, the silence was deafening.
Renee picked up the conversation without looking at Bryan and gave her accounts of everything.
After Renee finished, Detective Calloway set his pen down on the table. “Do you two understand the seriousness of what you’re telling me?”
“Yes,” Renee said.
“Yes,” Bryan added.
Calloway leaned back in his chair, studying them. “Why confess now?”
Bryan thought about the question for a few seconds before responding. “Because the guilt of keeping all this in over the past several years never left our sides,” he said.
Renee nodded. “We tried to bury it, but that didn’t work.”
Calloway exhaled through his nose. “There was a homicide connected to this case,” he said. “Your statements could reopen a lot of doors.”
“We know,” Bryan said.
Renee closed her eyes briefly. “We’re not asking for leniency.”
The detective watched them for a long moment, then stood up and walked over to where the camera was mounted on the wall. He reached up and turned on the device. A red light appeared on the front of the camera.
“Okay,” he said. “Then we’re going to do this the right way.”
Over sixty minutes in an isolated roadside diner in rural Montana, two strangers are forced to confront suppressed and traumatic memories, discovering that time, guilt, and truth are far more dangerous than the authorities awaiting them.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Truth Engines
Pre-order Available at Select Retailers
What if fiction reveals the truths modern society refuses to face?
Truth Engines is a bold collection of science fiction shorts that acknowledges the hidden realities currently affecting humanity. Blending imagination with clever storytelling, these writings explore a wide range of important subjects currently impacting all human beings.
Science fiction has traditionally been a way for writers to discuss difficult ideas safely. It has allowed authors to examine dangerous possibilities before they become reality. Sometimes fiction entertains us, sometimes it warns us, and sometimes it says the necessary things that otherwise couldn’t be said.
These stories are not meant to preach or claim absolute answers. They are meant to encourage thought. They will hopefully inspire readers to ask questions about power, truth, freedom, artificial intelligence, corruption, media influence, medical ethics, surveillance, and the future direction of humanity itself.
Some readers may see these stories as pure fiction. Others may recognize pieces of the modern world hidden inside them. That choice belongs to you, the reader.
The goal of my writing is twofold: to entertain while also encouraging people to think more deeply about the systems shaping human life behind the scenes.
Whether these stories inspire agreement, debate, curiosity, or discomfort, I hope they stay with you long after the final page.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Beta Reviews
It’s an amazing read! The stories in Truth Engines were born and live in the spaces between the 88 black-and-white notes on a piano keyboard. If you’re a fan of The Twilight Zone,you’ll really love this book!
–A Beta Reader
Truth Engines is an incredible reading experience!
–A Beta Reader
The Big Pharma Conspiracy Movie
Inventing a cancer cure was their first mistake!
Critical Reviews
“Rachel Alig is terrific as Donna while Justin Ray as Clyde also manages to impress. Combining witty commentary with a constant threat to life, script writers Palo and Reizer develop a narrative that is funny and charming while ensuring that none of the thrill and danger is lost in the process.”
– INDIE WRAP MAGAZINE
“Drama, thrills, comedy and so much more: Directors Andrew Arguello and MJ Palo’s Target List has all the fixings of a great movie. Combining a fantastic cast with the witty writing of MJ Palo and John Reizer, whichever way you flip this film, it lands on its feet with feline agility.”
– INDY REVIEWS
“The script by Palo with John Reizer, for the most part, rides that perfect balance between its more dramatic moments and perfectly placed moments of humor that never distract. While they’re probably not going to get invited to any big pharma conventions anytime soon, Reizer and Palo have a point, and they make it beautifully.”
“Target List is a great view for anyone who wants a compelling and suspenseful flick with a message that matters.”
– RICHARD PROPES – THE INDEPENDENT CRITIC
Gareth Icke – Derby, England
“Target List had me on the edge of my seat throughout. Not the least because of its believability!“
The police station was a well-lit building that stood out from most of the others. It had been designed and constructed over the last several years and featured a more modernist architectural style than the surrounding structures in the small Montana community.
They entered through the front entranceway and approached the reception area, announcing to the desk sergeant their intention to report information on a previously unsolved crime.
Renee Hudson sat beside Bryan Dawson on a hard, metallic chair. She hadn’t said much since they parked outside. Neither had he. They had been exhausted from everything that had transpired and were conserving their energy for what was to come.
The clock above the reception desk read 3:25 a.m.
Time had kept its promise; it was still moving right along.
Bryan, a handsome middle-aged man with a slender build and brown hair, exhaled slowly, his dark eyes drifting toward the glass partition separating them from the front desk. A tired-looking officer was rifling through some paperwork behind it, unaware of everything they had endured in the last hour.
Renee, an early-thirties brunette and easy on the eyes, shifted uneasily in her seat beside him.
“Once we start,” she whispered, “we don’t get to stop and change our minds.”
Bryan nodded. “I know that.”
She glanced at him, her expression serious. “I just want to say everything right.”
“There isn’t a right way,” he said gently. “There’s only the truth.”
Renee’s fingers flexed. “That’s what scares me.”
A door buzzed and opened somewhere down the hall. Footsteps approached them, and a plainclothes detective appeared in the hallway. He conferred with the desk sergeant briefly, muttered a few words to him, then glanced over at Bryan and Renee.
“Can I help you two?” he asked, his tone overly friendly.
Renee and Bryan stood up. “We need to report something important,” Bryan said. His voice sounded nervous and cautious. “It’s about a previously unsolved crime.”
The detective’s eyebrows raised slightly. “Okay,” he said. “Let’s step into an interview room.”
They followed the man down a narrow hallway, the walls lined with flyers for missing people.
The interview area was tiny, with a small table and four chairs. A small camera was mounted on a wall in the corner of the room.
The policeman gestured for them to sit, then closed the door. “I’m Detective Calloway,” he said, taking the seat across from them. “Take your time and start wherever you need to.”
Renee nodded.
Bryan glanced over at her, then nodded as well. “I’ll start,” he said.
He told the policeman everything that had happened as plainly as possible.
Detective Calloway didn’t interrupt. He took notes, his expression unreadable.
When Bryan finished, the silence was deafening.
Renee picked up the conversation without looking at Bryan and gave her accounts of everything.
After Renee finished, Detective Calloway set his pen down on the table. “Do you two understand the seriousness of what you’re telling me?”
“Yes,” Renee said.
“Yes,” Bryan added.
Calloway leaned back in his chair, studying them. “Why confess now?”
Bryan thought about the question for a few seconds before responding. “Because the guilt of keeping all this in over the past several years never left our sides,” he said.
Renee nodded. “We tried to bury it, but that didn’t work.”
Calloway exhaled through his nose. “There was a homicide connected to this case,” he said. “Your statements could reopen a lot of doors.”
“We know,” Bryan said.
Renee closed her eyes briefly. “We’re not asking for leniency.”
The detective watched them for a long moment, then stood up and walked over to where the camera was mounted on the wall. He reached up and turned on the device. A red light appeared on the front of the camera.
“Okay,” he said. “Then we’re going to do this the right way.”
Over sixty minutes in an isolated roadside diner in rural Montana, two strangers are forced to confront suppressed and traumatic memories, discovering that time, guilt, and truth are far more dangerous than the authorities awaiting them.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Truth Engines
Pre-order Available at Select Retailers
What if fiction reveals the truths modern society refuses to face?
Truth Engines is a bold collection of science fiction shorts that acknowledges the hidden realities currently affecting humanity. Blending imagination with clever storytelling, these writings explore a wide range of important subjects currently impacting all human beings.
Science fiction has traditionally been a way for writers to discuss difficult ideas safely. It has allowed authors to examine dangerous possibilities before they become reality. Sometimes fiction entertains us, sometimes it warns us, and sometimes it says the necessary things that otherwise couldn’t be said.
These stories are not meant to preach or claim absolute answers. They are meant to encourage thought. They will hopefully inspire readers to ask questions about power, truth, freedom, artificial intelligence, corruption, media influence, medical ethics, surveillance, and the future direction of humanity itself.
Some readers may see these stories as pure fiction. Others may recognize pieces of the modern world hidden inside them. That choice belongs to you, the reader.
The goal of my writing is twofold: to entertain while also encouraging people to think more deeply about the systems shaping human life behind the scenes.
Whether these stories inspire agreement, debate, curiosity, or discomfort, I hope they stay with you long after the final page.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Beta Reviews
It’s an amazing read! The stories in Truth Engines were born and live in the spaces between the 88 black-and-white notes on a piano keyboard. If you’re a fan of The Twilight Zone,you’ll really love this book!
–A Beta Reader
Truth Engines is an incredible reading experience!
–A Beta Reader
The Big Pharma Conspiracy Movie
Inventing a cancer cure was their first mistake!
Critical Reviews
“Rachel Alig is terrific as Donna while Justin Ray as Clyde also manages to impress. Combining witty commentary with a constant threat to life, script writers Palo and Reizer develop a narrative that is funny and charming while ensuring that none of the thrill and danger is lost in the process.”
– INDIE WRAP MAGAZINE
“Drama, thrills, comedy and so much more: Directors Andrew Arguello and MJ Palo’s Target List has all the fixings of a great movie. Combining a fantastic cast with the witty writing of MJ Palo and John Reizer, whichever way you flip this film, it lands on its feet with feline agility.”
– INDY REVIEWS
“The script by Palo with John Reizer, for the most part, rides that perfect balance between its more dramatic moments and perfectly placed moments of humor that never distract. While they’re probably not going to get invited to any big pharma conventions anytime soon, Reizer and Palo have a point, and they make it beautifully.”
“Target List is a great view for anyone who wants a compelling and suspenseful flick with a message that matters.”
– RICHARD PROPES – THE INDEPENDENT CRITIC
Gareth Icke – Derby, England
“Target List had me on the edge of my seat throughout. Not the least because of its believability!“
If and when Iran ever figures out the impossible (how to do that), maybe they can share that magical fairytale with all the other alleged “nuclear weapons” armed countries claiming to possess the big ones already, that, in my and a growing number of people’s opinions, is a narrative predicated on pure fakery and science fiction!
Dr. Reizer
The One-Hour Diner
Prologue
The police station was a well-lit building that stood out from most of the others. It had been designed and constructed over the last several years and featured a more modernist architectural style than the surrounding structures in the small Montana community.
They entered through the front entranceway and approached the reception area, announcing to the desk sergeant their intention to report information on a previously unsolved crime.
Renee Hudson sat beside Bryan Dawson on a hard, metallic chair. She hadn’t said much since they parked outside. Neither had he. They had been exhausted from everything that had transpired and were conserving their energy for what was to come.
The clock above the reception desk read 3:25 a.m.
Time had kept its promise; it was still moving right along.
Bryan, a handsome middle-aged man with a slender build and brown hair, exhaled slowly, his dark eyes drifting toward the glass partition separating them from the front desk. A tired-looking officer was rifling through some paperwork behind it, unaware of everything they had endured in the last hour.
Renee, an early-thirties brunette and easy on the eyes, shifted uneasily in her seat beside him.
“Once we start,” she whispered, “we don’t get to stop and change our minds.”
Bryan nodded. “I know that.”
She glanced at him, her expression serious. “I just want to say everything right.”
“There isn’t a right way,” he said gently. “There’s only the truth.”
Renee’s fingers flexed. “That’s what scares me.”
A door buzzed and opened somewhere down the hall. Footsteps approached them, and a plainclothes detective appeared in the hallway. He conferred with the desk sergeant briefly, muttered a few words to him, then glanced over at Bryan and Renee.
“Can I help you two?” he asked, his tone overly friendly.
Renee and Bryan stood up. “We need to report something important,” Bryan said. His voice sounded nervous and cautious. “It’s about a previously unsolved crime.”
The detective’s eyebrows raised slightly. “Okay,” he said. “Let’s step into an interview room.”
They followed the man down a narrow hallway, the walls lined with flyers for missing people.
The interview area was tiny, with a small table and four chairs. A small camera was mounted on a wall in the corner of the room.
The policeman gestured for them to sit, then closed the door. “I’m Detective Calloway,” he said, taking the seat across from them. “Take your time and start wherever you need to.”
Renee nodded.
Bryan glanced over at her, then nodded as well. “I’ll start,” he said.
He told the policeman everything that had happened as plainly as possible.
Detective Calloway didn’t interrupt. He took notes, his expression unreadable.
When Bryan finished, the silence was deafening.
Renee picked up the conversation without looking at Bryan and gave her accounts of everything.
After Renee finished, Detective Calloway set his pen down on the table. “Do you two understand the seriousness of what you’re telling me?”
“Yes,” Renee said.
“Yes,” Bryan added.
Calloway leaned back in his chair, studying them. “Why confess now?”
Bryan thought about the question for a few seconds before responding. “Because the guilt of keeping all this in over the past several years never left our sides,” he said.
Renee nodded. “We tried to bury it, but that didn’t work.”
Calloway exhaled through his nose. “There was a homicide connected to this case,” he said. “Your statements could reopen a lot of doors.”
“We know,” Bryan said.
Renee closed her eyes briefly. “We’re not asking for leniency.”
The detective watched them for a long moment, then stood up and walked over to where the camera was mounted on the wall. He reached up and turned on the device. A red light appeared on the front of the camera.
“Okay,” he said. “Then we’re going to do this the right way.”
Over sixty minutes in an isolated roadside diner in rural Montana, two strangers are forced to confront suppressed and traumatic memories, discovering that time, guilt, and truth are far more dangerous than the authorities awaiting them.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Truth Engines
Pre-order Available at Select Retailers
What if fiction reveals the truths modern society refuses to face?
Truth Engines is a bold collection of science fiction shorts that acknowledges the hidden realities currently affecting humanity. Blending imagination with clever storytelling, these writings explore a wide range of important subjects currently impacting all human beings.
Science fiction has traditionally been a way for writers to discuss difficult ideas safely. It has allowed authors to examine dangerous possibilities before they become reality. Sometimes fiction entertains us, sometimes it warns us, and sometimes it says the necessary things that otherwise couldn’t be said.
These stories are not meant to preach or claim absolute answers. They are meant to encourage thought. They will hopefully inspire readers to ask questions about power, truth, freedom, artificial intelligence, corruption, media influence, medical ethics, surveillance, and the future direction of humanity itself.
Some readers may see these stories as pure fiction. Others may recognize pieces of the modern world hidden inside them. That choice belongs to you, the reader.
The goal of my writing is twofold: to entertain while also encouraging people to think more deeply about the systems shaping human life behind the scenes.
Whether these stories inspire agreement, debate, curiosity, or discomfort, I hope they stay with you long after the final page.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Beta Reviews
It’s an amazing read! The stories in Truth Engines were born and live in the spaces between the 88 black-and-white notes on a piano keyboard. If you’re a fan of The Twilight Zone,you’ll really love this book!
–A Beta Reader
Truth Engines is an incredible reading experience!
–A Beta Reader
The Big Pharma Conspiracy Movie
Inventing a cancer cure was their first mistake!
Critical Reviews
“Rachel Alig is terrific as Donna while Justin Ray as Clyde also manages to impress. Combining witty commentary with a constant threat to life, script writers Palo and Reizer develop a narrative that is funny and charming while ensuring that none of the thrill and danger is lost in the process.”
– INDIE WRAP MAGAZINE
“Drama, thrills, comedy and so much more: Directors Andrew Arguello and MJ Palo’s Target List has all the fixings of a great movie. Combining a fantastic cast with the witty writing of MJ Palo and John Reizer, whichever way you flip this film, it lands on its feet with feline agility.”
– INDY REVIEWS
“The script by Palo with John Reizer, for the most part, rides that perfect balance between its more dramatic moments and perfectly placed moments of humor that never distract. While they’re probably not going to get invited to any big pharma conventions anytime soon, Reizer and Palo have a point, and they make it beautifully.”
“Target List is a great view for anyone who wants a compelling and suspenseful flick with a message that matters.”
– RICHARD PROPES – THE INDEPENDENT CRITIC
Gareth Icke – Derby, England
“Target List had me on the edge of my seat throughout. Not the least because of its believability!“
Dave Morrison is a bike courier in a futuristic city where every citizen is under continuous surveillance, personal privacy is nonexistent, and disappearing is damn near impossible.
Dave’s simple life is drastically altered only minutes after accepting a routine delivery assignment; he’s suddenly the most wanted man in the city.
Hunted by an all-seeing surveillance network and powerful forces desperate to recover three mysterious data chips he is carrying, Dave, the bike courier, is forced into the city’s hidden underground tunnel system in an attempt to stay alive.
With the help of a fearless rebel named Harley, Dave uncovers a secret so explosive it could bring governments and global corporations to their knees.
One ordinary man holds the key to revealing a truth that the world’s most powerful people will kill to keep buried.
The One-Hour Diner
Prologue
The police station was a well-lit building that stood out from most of the others. It had been designed and constructed over the last several years and featured a more modernist architectural style than the surrounding structures in the small Montana community.
They entered through the front entranceway and approached the reception area, announcing to the desk sergeant their intention to report information on a previously unsolved crime.
Renee Hudson sat beside Bryan Dawson on a hard, metallic chair. She hadn’t said much since they parked outside. Neither had he. They had been exhausted from everything that had transpired and were conserving their energy for what was to come.
The clock above the reception desk read 3:25 a.m.
Time had kept its promise; it was still moving right along.
Bryan, a handsome middle-aged man with a slender build and brown hair, exhaled slowly, his dark eyes drifting toward the glass partition separating them from the front desk. A tired-looking officer was rifling through some paperwork behind it, unaware of everything they had endured in the last hour.
Renee, an early-thirties brunette and easy on the eyes, shifted uneasily in her seat beside him.
“Once we start,” she whispered, “we don’t get to stop and change our minds.”
Bryan nodded. “I know that.”
She glanced at him, her expression serious. “I just want to say everything right.”
“There isn’t a right way,” he said gently. “There’s only the truth.”
Renee’s fingers flexed. “That’s what scares me.”
A door buzzed and opened somewhere down the hall. Footsteps approached them, and a plainclothes detective appeared in the hallway. He conferred with the desk sergeant briefly, muttered a few words to him, then glanced over at Bryan and Renee.
“Can I help you two?” he asked, his tone overly friendly.
Renee and Bryan stood up. “We need to report something important,” Bryan said. His voice sounded nervous and cautious. “It’s about a previously unsolved crime.”
The detective’s eyebrows raised slightly. “Okay,” he said. “Let’s step into an interview room.”
They followed the man down a narrow hallway, the walls lined with flyers for missing people.
The interview area was tiny, with a small table and four chairs. A small camera was mounted on a wall in the corner of the room.
The policeman gestured for them to sit, then closed the door. “I’m Detective Calloway,” he said, taking the seat across from them. “Take your time and start wherever you need to.”
Renee nodded.
Bryan glanced over at her, then nodded as well. “I’ll start,” he said.
He told the policeman everything that had happened as plainly as possible.
Detective Calloway didn’t interrupt. He took notes, his expression unreadable.
When Bryan finished, the silence was deafening.
Renee picked up the conversation without looking at Bryan and gave her accounts of everything.
After Renee finished, Detective Calloway set his pen down on the table. “Do you two understand the seriousness of what you’re telling me?”
“Yes,” Renee said.
“Yes,” Bryan added.
Calloway leaned back in his chair, studying them. “Why confess now?”
Bryan thought about the question for a few seconds before responding. “Because the guilt of keeping all this in over the past several years never left our sides,” he said.
Renee nodded. “We tried to bury it, but that didn’t work.”
Calloway exhaled through his nose. “There was a homicide connected to this case,” he said. “Your statements could reopen a lot of doors.”
“We know,” Bryan said.
Renee closed her eyes briefly. “We’re not asking for leniency.”
The detective watched them for a long moment, then stood up and walked over to where the camera was mounted on the wall. He reached up and turned on the device. A red light appeared on the front of the camera.
“Okay,” he said. “Then we’re going to do this the right way.”
Over sixty minutes in an isolated roadside diner in rural Montana, two strangers are forced to confront suppressed and traumatic memories, discovering that time, guilt, and truth are far more dangerous than the authorities awaiting them.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Truth Engines
Pre-order Available at Select Retailers
What if fiction reveals the truths modern society refuses to face?
Truth Engines is a bold collection of science fiction shorts that acknowledges the hidden realities currently affecting humanity. Blending imagination with clever storytelling, these writings explore a wide range of important subjects currently impacting all human beings.
Science fiction has traditionally been a way for writers to discuss difficult ideas safely. It has allowed authors to examine dangerous possibilities before they become reality. Sometimes fiction entertains us, sometimes it warns us, and sometimes it says the necessary things that otherwise couldn’t be said.
These stories are not meant to preach or claim absolute answers. They are meant to encourage thought. They will hopefully inspire readers to ask questions about power, truth, freedom, artificial intelligence, corruption, media influence, medical ethics, surveillance, and the future direction of humanity itself.
Some readers may see these stories as pure fiction. Others may recognize pieces of the modern world hidden inside them. That choice belongs to you, the reader.
The goal of my writing is twofold: to entertain while also encouraging people to think more deeply about the systems shaping human life behind the scenes.
Whether these stories inspire agreement, debate, curiosity, or discomfort, I hope they stay with you long after the final page.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
Beta Reviews
It’s an amazing read! The stories in Truth Engines were born and live in the spaces between the 88 black-and-white notes on a piano keyboard. If you’re a fan of The Twilight Zone,you’ll really love this book!
–A Beta Reader
Truth Engines is an incredible reading experience!
–A Beta Reader
The Big Pharma Conspiracy Movie
Inventing a cancer cure was their first mistake!
Critical Reviews
“Rachel Alig is terrific as Donna while Justin Ray as Clyde also manages to impress. Combining witty commentary with a constant threat to life, script writers Palo and Reizer develop a narrative that is funny and charming while ensuring that none of the thrill and danger is lost in the process.”
– INDIE WRAP MAGAZINE
“Drama, thrills, comedy and so much more: Directors Andrew Arguello and MJ Palo’s Target List has all the fixings of a great movie. Combining a fantastic cast with the witty writing of MJ Palo and John Reizer, whichever way you flip this film, it lands on its feet with feline agility.”
– INDY REVIEWS
“The script by Palo with John Reizer, for the most part, rides that perfect balance between its more dramatic moments and perfectly placed moments of humor that never distract. While they’re probably not going to get invited to any big pharma conventions anytime soon, Reizer and Palo have a point, and they make it beautifully.”
“Target List is a great view for anyone who wants a compelling and suspenseful flick with a message that matters.”
– RICHARD PROPES – THE INDEPENDENT CRITIC
Gareth Icke – Derby, England
“Target List had me on the edge of my seat throughout. Not the least because of its believability!“
Big Pharma is the top dog in a 3 part legalized prescription drug ecosystem. The pharmaceutical machine is where the entire supply, distribution, and dependency schematics commence.
1. The Drug Cartel (Big Pharma)
Produces an addictive substance.
Is motivated exclusively by profit.
Understands the dependencies, harmful effects, and consequences of its product lines fully.
Expands its market share aggressively.
2. The Dealer (Prescribing Doctor)
Connects products to users.
Builds relationships with customers.
Normalizes continued use.
Financially benefits from repeat consumption.
Acts as the gatekeeper for medication.
3. The Consumer (Patient /Junkie)
Develops dependencies
May start recreationally or due to a routine visit and a flagged lab test
Long-term consumption is financially beneficial to the cartel (Big Pharma)
Breaking the cycle (recovery, abstinence, reduced prescribing) reduces profits for Big Pharma and is never encouraged by the industry.
Cut to the Chase!
As a former chiropractic healthcare provider with over 35 years of practice experience, I regularly reviewed the case histories of new practice members. Many of the case histories I reviewed reported people taking 8 – 10 different prescription drugs at a time. Most of these people have been on the same drugs for years and have no specific timetable to stop taking said products. It’s a completely bizarre practice, but it’s the current standard of care within the medical culture.
Medical curricula taught in medical schools, for the most part, have been written by pharmaceutical companies. The researchers performing the research regularly used to help create the new medical protocols in modern medicine are paid by Big Pharma.
When people suffer heart attacks, it’s common for physicians to place them on several heart medications for the remainder of their lives. Nobody even questions this illogical practice because it has been accepted by professionals and sickness care consumers as a normal standard of care.
I will not get into a big philosophical debate on this forum with medical professionals about why this is necessary or unnecessary. Instead, I will tell readers straight out that the current practice of placing people on drugs indefinitely after suffering any significant sickness has been written into medical protocols by drug companies. And the reason they have done so is that it’s extremely profitable.
It is not logical, nor is it healthy to remain on prescription drugs indefinitely. The chances of people believing the veracity of this statement is slim to none. As a society of sickness care consumers, we have been thoroughly brainwashed by medical marketing campaigns. We have collectively bought into the ridiculous idea that we need more and more drugs as we progress through life.
You start off as a young person taking no drugs. You’re encouraged to visit the medical man or woman regularly. When you do, you’re coerced into taking toxic vaccines that weaken your immune system and make you a prime candidate for serious illnesses down the road.
As people progress through life, they will undoubtedly encounter health challenges. Most of us will visit medical doctors who will write lifelong prescriptions to manage the various conditions. By the time people reach age 50, they’re taking 5 different medications. The number of drugs people will consume only increases from that point forward.
The system has been rigged by Big Pharma, and eventually, most people will take an alarming number of drugs until the day they die. These drugs interfere with human physiology’s true expression throughout the body and ultimately make people in the population unhealthy and more at risk for other diseases. That’s exactly what the drug industry cartel wants.
The health-related articles that have been written on this website are for informational purposes only. The information is not intended to replace a professional relationship between a patient and a health care specialist, nor is it intended as medical advice. Readers are fully encouraged to make health care decisions based upon their own independent research!
Now Available!
Holograms
Quantum physicist Dr. Jennifer Ross discovers holographic aliens aren’t invading Earth but rewriting reality itself as the laws of physics unravel and humanity faces extinction.
In a world surrounded and grounded by the laws of physics, something impossible is unfolding.
A world-renowned quantum physicist has uncovered a terrifying truth hidden between two overlapping realities.
The appearance of a predator race of alien beings isn’t merely an invasion; it’s a complete rewrite of the universe, and the fate of all existence rests on the ability of one scientist to decode the truth before reality itself unravels into nothingness.
Science fiction has traditionally been a way for writers to discuss difficult ideas safely. It has allowed authors to examine dangerous possibilities before they become reality. Sometimes fiction entertains us, sometimes it warns us, and sometimes it says the necessary things that otherwise couldn’t be said.
These stories are not meant to preach or claim absolute answers. They are meant to encourage thought. They will hopefully inspire readers to ask questions about power, truth, freedom, artificial intelligence, corruption, media influence, medical ethics, surveillance, and the future direction of humanity itself.
Some readers may see these stories as pure fiction. Others may recognize pieces of the modern world hidden inside them. That choice belongs to you, the reader.
The goal of my writing is twofold: to entertain while also encouraging people to think more deeply about the systems shaping human life behind the scenes.
Whether these stories inspire agreement, debate, curiosity, or discomfort, I hope they stay with you long after the final page.
Sometimes fiction is not an escape from reality, but rather the only way to talk about it.
–John Reizer
The Truth Told Through Fiction!
Watch Target List Today!
Click on the images above to watch the video
About Dr. John Reizer
John Reizer has been writing content on NoFakeNews since 2012, focusing on the many machinations being committed in our realm by our hidden controllers. He aims to provide readers with a more accurate understanding of humanity’s past, present, and future, and to clarify our true purpose in experiencing life within the parameters of an artificially constructed Matrix.
