Space Travel Missions

The CGI and AI technologies of today are much better suited to creating realistic-looking space expeditions than those available in the 1960s.

What’s really changed in the past 60 or so years about space travel? For all intents and purposes, not that much, in my opinion.

The science fiction stories are basically the same all these years later: a rocket is launched into orbit, it circles Earth, jettisons towards the Moon, orbits the satellite, jettisons back to Earth, reenters Earth’s orbit, and splashes down in the ocean before being retrieved by a military ship.

Many people are emotionally invested in space travel. They’re not going to change their minds about NASA. They believe in the script, and no amount of evidence presented will alter their feelings.

Additionally, in my view, there’s nothing in the way of photography captured from Artemis II that will convince people sitting on the fence about the veracity of these expeditions that NASA is now pulling off genuine space travel accomplishments.

For those of us who knew full well that the magicians were faking everything we were watching during Artemis II, the CGI videos of the crew interviews, the craft, Earth, and the Moon were enough to seal the deal and reaffirm in our minds our beliefs; space travel missions and reported accomplishments are fictional stories, and no humans have ever been to space and never will.

We were watching the same script we watched decades ago, the same story arcs, the same tension-filled scenarios. The blackout periods, heat-shield problems, and the possibility of parachute damage upon re-entry remain focal points and were being discussed by media talking heads during Artemis II’s return to Earth.

It’s the same sci-fi script, and nothing has changed. Except for the green-screen technologies used to make the movie more realistic-looking than in the 1960s, everything is basically the same presentation. The overall script remains unchanged.

Gemini Returning to Earth

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Do you honestly believe that Big Pharma wants to eradicate a $217 billion a year cancer industry?

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Accordimg to officialdom, Blue Origin successfully landed the booster of its New Glenn rocket on a ship in the Atlantic Ocean during its second-ever launch on November 13, 2025.

This was the first time the booster was recovered for reuse, following the first launch in January 2025 where the booster was not recovered. The mission also successfully delivered NASA’s twin ESCAPADE spacecraft to orbit.

Are You Kidding Me?

CGI videos, in my opinion!

Of course, this remarkable feat was done in the middle of the ocean, where only a guy with binoculars could film the landing.

There continues to be an incredible push by the mainstream media to inundate the public domain with a plethora of space travel news, which alleges that aerospace accomplishments are occurring nearly every single day.

These stories are unending, making it seem as if humankind is regularly making great strides in its ongoing attempts to travel through deep space to visit celestial bodies like our Moon and Mars.

Folks, these so-called accomplishments are predicated, in my opinion, on science fiction scripts and aided with CGI and VFX.

No one, whether operating through a government agency or a privately owned company, is exempt from being locked inside our artificial construct, which prevents them from visiting anywhere. No one went into outer space in the 1960s and 70s, and no one’s doing it today or tomorrow because it’s impossible.

In my view, what is possible for NASA and other private space companies to accomplish, given a bottomless drawer of billions of dollars in funding, is the creation of amazing-looking CGI videos that beggar belief. The photographic and video fakery is so sophisticated at this point that these privatized companies and government agencies, working in concert, are now brazen enough to try to use these technologies to convince humanity that actual space travel has been occurring for decades.

The Missing Novella by John Reizer

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When a young private investigator named Jessica Harris meets Billy Hayes, a groundskeeper at Evergreen Cemetery who has witnessed mysterious happenings on the property, the two team up and discover a hidden operation; they soon become entangled in a web of lies and danger. Will they expose the truth, or become just another pair of missing souls claimed by a diabolical biomedical corporation’s vision for the future?

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The Missing is a chilling tale of power, technology, and the price of immortality. Secrets lurk in the shadows, and no one is truly safe. Not even the dead!