Archeologists staging a site in the field

Somewhere in the field…

By Dr. John Reizer

Dr. Smith:
Could you hand me the replica bowl, please? The one with the crack.

Dr. James:
This one? The crack looks too real. Someone might think we actually found it this way.

Dr. Smith:
That’s the point! We want visitors to say, “Ah yes, classic Late Iron Age craftsmanship,” and move on without squinting too hard.

Dr. James:
Right, right. And the soot marks? You said you wanted them to look “authentic but not too over the top.”

Dr. Smith:
Exactly. If it looks too pristine, people start asking questions. If it looks like it survived three millennia, one volcanic eruption, and a goat stampede, it’ll be fine.

Dr. James:
Balance. I guess that’s the answer.

Dr. Smith:

Precisely! Now, place it next to the other prop. And remember to make it slightly off-center. Real finds are never perfectly centered.

Dr. James:
There. Lovely. Real enough to impress the board, fake enough to avoid rewriting the regional timeline again.

Dr. Smith:
And most importantly, it all aligns very nicely with the latest scholarly consensus. If the story fits the narrative, the narrative must fit the site find.

Dr. James:
Should we add any more clues to this?

Dr. Smith:
No, it looks good! The less we fudge, the better. Remember, no one is going to question the scientists. The truth of our historical past is based on how we stage it!


It’s time to lift the veil of deception!

If you want to learn what’s truly happening in this place we call Earth, you need to start by turning off your TV and canceling every subscription to mainstream media platforms you have. Until you do that, you will never get a truthful picture of anything happening here.

The controlling powers have stolen our history and replaced it with a false historical narrative that makes little to no sense whatsoever. The saddest part is that virtually nobody knows what’s happening in our realm today because society’s members have no reliable reference point, historically speaking, to gauge their truthful place in our 3-D holographic construct.

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-Dr. John Reizer


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The Missing Novella by John Reizer

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When a young private investigator named Jessica Harris meets Billy Hayes, a groundskeeper at Evergreen Cemetery who has witnessed mysterious happenings on the property, the two team up and discover a hidden operation; they soon become entangled in a web of lies and danger. Will they expose the truth, or become just another pair of missing souls claimed by a diabolical biomedical corporation’s vision for the future?

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The Missing is a chilling tale of power, technology, and the price of immortality. Secrets lurk in the shadows, and no one is truly safe. Not even the dead!

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About Dr. John Reizer

John Reizer has been writing content on NoFakeNews since 2012, focusing on the many machinations being committed in our realm by our hidden controllers. He aims to provide readers with a more accurate understanding of humanity’s past, present, and future, as well as clarify our true purpose for experiencing life within the parameters of an artificially constructed Matrix.

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Staging historical photos after the fact

Dr. John Reizer

I’ve read second-hand accounts from NASA apologists that some Moon landing photos were shot years after the missions in a studio setting on Earth because the cameras on the Moon (There never were any cameras on the Moon.🤣) didn’t perform very well.

A new narrative has emerged that many of the photos were allegedly reported to be of poor quality and fogged out badly from cosmic radiation. Therefore, the NASA people felt it necessary to go into a studio after the missions and recreate what happened on the Moon so that pretty-looking images could be placed into the Apollo catalogs for posterity purposes.

Jump up if you’re being filmed in a studio!

The new Apollo studio photoshoot storyline has been purposely leaked into the public domain in the last several years to counter the evidence that forensic photography analysts have discovered: the Apollo missions’ photos were undoubtedly filmed on Earth inside a studio.

There is also evidence of many other historical photos being faked in various scenarios after the fact and presented to the world as authentic.

Our controllers are famous for staging and photographing history as they want it portrayed.

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So, let me understand this fully; the Russians and whoever else claimed to take the historical Auschwitz liberation photos of the concentration camp prisoners lied. The photos that we have been told for years were genuine, were filmed years later of people who were not prisoners at Auschwitz, but rather actors or poor unfortunate souls suffering from somewhere else. The fakes were then used to disingenuously convince people that they were viewing the atrocities at Auschwitz.

We now know these photos are fake, yet I will bet that people have been charged with criminal offenses for questioning the veracity of the images.

Remember, strict thought crime laws in Europe prohibit questioning certain official narratives.

The real crime is having laws on the books that punish people who think critically!


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