Do you believe “Big Movie” and “Big Hollywood” predetermine how some motion pictures will be rated by moviegoers? I sure do!

Dr. John Reizer

A new summer blockbuster film has just been released in movie theaters, and it already has a hundred thousand ratings on IMDb and other platforms, with a score of 8.3.

How is this possible?

I believe “Big Movie” buys and pays for the vast majority of the hype we are fed about big-budget Hollywood films.

In my opinion, Big Hollywood and Big Movie are similar to Big Medicine and Big Pharma. They have a stranglehold on the entertainment industry just as Big Medicine and Big Pharma have a stranglehold on modern healthcare.

Many influential messages and agendas come from movie productions that cost hundreds of millions of dollars to release, so I believe nothing is left to chance regarding what will be liked or disliked publicly. I think many ratings attached to various big-budget films should be viewed with plenty of skepticism.

Two years ago, when the film Oppenheimer came out attempting to revitalize the gigantic psyop and lie in the public’s mind that professes nuclear weapons are real and remain a genuine threat to humanity, it was apparent to me from the get-go that this movie was going to be rated highly on IMDb even though the only real bomb in the entire production was the film, not the imaginary weapon of mass destruction that was the subject of the movie.

Keep Fearing the Fake Nukes!

My Experience with the Movie Business

The Target List film’s entire budget was under $300K. In my opinion, our microbudget film is a better shot and more cleanly executed movie production than more than a few Hollywood films that make it out there every year.

I’m not writing my opinion about the technical quality of Target List because it’s my story, and I co-wrote the screenplay, or because I want to be braggadocious. I am trying to make a point. I would admit the film’s serious shortcomings if there were any significant problems, but there aren’t many to mention. Is it a perfect motion picture? No! But there aren’t many of those in existence, if there are any at all. The film’s quality, in my view, is excellent, considering the thin resources and time constraints our production was challenged by.

In my opinion, Big Hollywood uses professional influencers and technology to lower the ratings of certain microbudget films. I feel strongly that our movie’s ratings on multiple platforms have been artificially manipulated.

I have received more than a few harsh comments about our movie on NoFakeNews since its release in April 2023.

Why?

Target List is a well-done action-adventure film with humor injected into the script. Why would certain people be so incensed over this movie and go out of their way to write me on the website, pointing out that it has terrible acting, substandard writing, and a stupid and unwatchable plot? Are you kidding me? Did these people bother to watch the film? And even if these individuals honestly thought the movie was terrible, why did they go out of their way to personally write me? Are they people in medicine or have pharma-related jobs? Do these posters have so much time on their hands that they can fully watch a bad microbudget film, look up the writer, and send a personal message? It’s truly bizarre.

I think the only reason for the strong hate associated with our movie is its underlying message about big pharma.

Additionally, I don’t believe Big Hollywood and Big Movie will allow a microbudget film to compete with multi-million dollar flicks for moviegoers’ dollars. This is especially true when the microbudget film has an underlying message that speaks negatively about Big Pharma.

Despite all that, Target List performs amazingly well and has received over a thousand IMDb ratings while maintaining a respectable 7.2 score on the prominent platform. The movie’s rating on many other platforms is a 4 out of 5.

What Journalists Have Said About Target List:

“Target List is a fun ride as the audience watches Alig and Ray get themselves in and out of constant trouble while attempting to stay alive and protect their life-saving healthcare technology for humanity’s benefit.”

— Eyes On Hollywood

“Combining witty commentary with a constant threat to life, scriptwriters Palo and Reizer develop a narrative that is funny and charming while ensuring that none of the thrill and danger is lost in the process.”

— Indie Wrap Magazine

“The writing of the film is definitely what underpins its greatness. The characters Clyde and Donna are extremely well written and the situations they are put in are masterfully created.”

— Olivia Ballington — Indy Reviews

“Target List is a great view for anyone who wants a compelling and suspenseful flick with a message that matters.”

–Richard Propes –The Independent Critic

Recommended on Tubi TV!

Coming in 2026

Thirteen years! That’s how long it’s been since the pulse first made its presence known. It began as simple static. There was an occasional flicker on the news, an odd glitch that people dismissed as a technical issue. But it wasn’t long before that static turned into something far worse. The mysterious thumping sound was most perceptible during news broadcasts. The strange noise became more apparent during the live telecasts, where unsettling images began to surface — people frozen, staring blankly at their electronic devices.

Fortunately, the phenomenon stopped after a few days, and the damage the population suffered was minimal and temporary.

Was it dumb luck that the attack stopped, or was it merely a dress rehearsal for something even bigger down the road?

Thirteen years later, from the exact date the world last heard the Devil’s heartbeat, the pulse is back and beating louder than ever.

Maya Sanchez remembered the pulse’s chilling and all too familiar sound in her head, sternum, and ribcage. It was the kind of thing one doesn’t forget, even after thirteen years.

Maya had been part of a special military security team that traced the mysterious pulsating sound deep into a South American jungle, only to come up empty when, as suddenly as the phenomenon appeared, it vanished without a trace.

That pulse had spread like wildfire! Was this new threat related or something completely different?

Maya and her special forces team have been reactivated and called back into action. The pulse grows louder and stronger each day, taking its toll again on society’s members. Many people are in a zombified stupor and locked into a helpless state of catatonia.

Can Maya and her colleagues pinpoint the location of the strange phenomenon, and more importantly, can they neutralize the pulse before it destroys the human race?